Victor Young & His Orchestra Ill Take You Home Again Kathleen
| Victor Young | |
|---|---|
 Victor Immature | |
| Background information | |
| Birth proper noun | Albert Victor Young |
| Born | (1899-08-08)August 8, 1899 Chicago, Illinois, Us |
| Died | November 10, 1956(1956-11-10) (anile 57) Palm Springs, California, United States |
| Occupation(s) |
|
| Instruments | Violin, piano |
| Years active | 1920–56 |
Albert Victor Young (August eight, 1899[i]– November 10, 1956)[ii] [3] was an American composer, arranger, violinist and conductor.
Biography [edit]
Young is unremarkably said to have been born in Chicago on August 8, 1900, but co-ordinate to Census data and his nativity certificate, his birth year is 1899.[1] His grave marker shows his nascence year equally 1901.[4] He was born into a very musical Jewish family unit, his father being a tenor with Joseph Sheehan'south touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of vi, and was sent to Poland when he was x to stay with his grandfather and study at Warsaw Regal Conservatory (his teacher was Smooth composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While even so a teenager he embarked on a career as a concert violinist with the Warsaw Philharmonic under Juliusz Wertheim, assistant conductor in 1915–16.
When he graduated from the Warsaw Solarium, World War I prevented him from returning to the The states, so he remained in Poland (which was occupied by the Germans), earning his go on by playing with the Philharmonic and in a quartet and a quintet. He too gave lessons. His future wife, Rita Kinel, who met him in late 1918, used to smuggle nutrient to him, for he had neither plenty coin to buy it nor fourth dimension to eat it.[5]
He returned to Chicago in 1920 to join the orchestra at Central Park Casino. He and so went to Los Angeles to join his Smooth fiancée, finding employment first as a fiddler in impresario Sid Grauman'due south Million Dollar Theatre Orchestra then going on to be appointed concert-primary for Paramount-Publix Theatres. After turning to popular music, he worked for a while as violinist-arranger for Ted Fio Rito.[vi]
In 1930, Chicago bandleader and radio-star Isham Jones commissioned Young to write a ballad instrumental of Hoagy Carmichael's "Stardust", which had been played, upwardly until then, as an upwards-tempo number. Immature slowed information technology downward and played the melody as a gorgeous romantic violin solo[7] which inspired Mitchell Parish to write lyrics for what and so became a much-performed love song. Bing Crosby recorded it at least three times: in 1931,[8] 1939,[9] and 1942.[x]
In the mid-1930s, he moved to Hollywood where he concentrated on films, recordings of calorie-free music and providing backing for pop singers, including Bing Crosby. His composer credits include "When I Autumn in Love", "Blue Star (The 'Medic' Theme)", "Moonlight Serenade (Summer Dearest)" from the move picture The Star (1952), "Sweet Sue, Just You", "Can't We Talk It Over", "Street of Dreams", "Love Letters", "Around the World", "My Foolish Heart", "Golden Earrings", "Stella by Starlight", "Delilah", "Johnny Guitar" and "I Don't Stand up a Ghost of a Take chances with Y'all".
Records [edit]
Immature was signed to Brunswick in 1931 where his studio groups recorded scores of popular dance music, waltzes and semi-classics through 1934. His studio groups often contained some of the best jazz musicians in New York, including Bunny Berigan, Tommy Dorsey, Jimmy Dorsey, Joe Venuti, Arthur Schutt, Eddie Lang, and others. He used beginning-rate vocalists, including Paul Pocket-sized, Dick Robertson, Harlan Lattimore, Smith Ballew, Helen Rowland, Frank Munn, The Boswell Sisters, Lee Wiley and others. One of his almost interesting recordings was the January 22, 1932, session containing songs written by Herman Hupfeld: "Goopy Geer (He Plays Pianoforte And He Plays Past Ear)" and "Down The Old Dorsum Road", which Hupfeld sang and played pianoforte on (his only two known vocals).
In tardily 1934, Immature signed with Decca and continued recording in New York until mid-1936, when he relocated to Los Angeles.
Radio, film and telly [edit]
On radio, he was the musical director of The Old Gold Don Ameche Evidence [11] and Harvest of Stars. He was musical director for many of Bing Crosby'due south recordings for the American branch of Decca Records. For Decca, he also conducted the first anthology of songs from the 1939 flick The Wizard of Oz,[6] a sort of "pre-soundtrack" cover version rather than a truthful soundtrack album. The album featured Judy Garland and the Ken Darby Singers singing songs from the film in Young's own arrangements. Immature oftentimes collaborated with Ken Darby and the Singers for radio programs starring the pop Met Opera baritone John Charles Thomsen. He as well equanimous the music for several Decca spoken discussion albums.
He received 22 Academy Award nominations for his work in motion-picture show, twice being nominated iv times in a single year, just he did not win during his lifetime. He received his only Oscar posthumously for his score of Around the World in Lxxx Days (1956). Thus, Victor Young holds the tape for most Oscar nominations before winning the outset honour. His other nominated scores include Anything Goes (1936),[12] The Large Broadcast of 1937 (1936),[12] Artists and Models (1937),[12] The Gladiator, Gilded Boy (1939), For Whom the Bell Tolls (1943), The Uninvited (1944), Love Messages (1945), And then Evil My Beloved (1948), The Emperor Waltz (1948),[12] The Paleface (1948),[12] Samson and Delilah (1949), A Connecticut Yankee in King Arthur's Court (1949), Our Very Ain (1950), September Affair (1950), My Favorite Spy (1951), Payment on Demand (1951), The Quiet Human (1952), Scaramouche (1952), Something to Live For (1952), Shane (1953), The Country Girl (1954),[12] A Human Alone (1955), The Conqueror (1956) and The Maverick Queen (1956).
He contributed two tone poems, "White" and "Black", to the 1956 album Frank Sinatra Conducts Tone Poems of Colour.
His concluding scores were for the 1957 films Omar Khayyam, Run of the Arrow and China Gate, which were released after his death. The last was left unfinished at the time of his death and was finished past his long-time friend Max Steiner.
"The Telephone call of the Faraway Hills", which Young had composed for the film Shane, was as well used every bit the theme for the U.S. television series Shane. Young won a Primetime Emmy Award for his scoring of the Idiot box special Low-cal's Diamond Jubilee, which aired on all four American TV networks on Oct 24, 1954.
Every bit an occasional bit player, Young can be glimpsed briefly in The Country Daughter (1954) playing a recording studio leader conducting Bing Crosby while he tapes "The Search is Through (Y'all've Got What It Takes)."
Death [edit]
Young died on November 10, 1956, in Palm Springs, California, later on a cerebral haemorrhage at age 57. He is interred in the Beth Olam Mausoleum in Hollywood Forever Cemetery, Hollywood, California.[13] Dr. Max Nussbaum, rabbi of Temple State of israel, Hollywood, officiated.[ii] His family donated his artifacts and memorabilia (including his Oscar) to Brandeis University, where they are housed today.[14]
Broadway [edit]
- Murder at the Vanities (1933) – musical – contributing composer
- Blackbirds of 1933 (1933) – revue – featured songwriter
- Winged Victory (1944) – play – performer for the role of "Lee"
- Artillery and the Girl (1950) – musical – performer for the function of "Son of Freedom"
- Pardon Our French (1950) – revue – composer
- Seventh Heaven (1955) – musical – composer
Awards and nominations [edit]
Academy Awards [edit]
| Yr | Film | Category | Result |
|---|---|---|---|
| 1939 | Breaking the Ice | Best Original Score | Nominated |
| Army Girl | All-time Original Score | Nominated | |
| 1940 | Man of Conquest | Best Original Score | Nominated |
| Gulliver's Travels | Best Original Score | Nominated | |
| Golden Male child | Best Original Score | Nominated | |
| Fashion Down South | All-time Music (Scoring) | Nominated | |
| 1941 | North Due west Mounted Police | Best Original Score | Nominated |
| Nighttime Command | Best Original Score | Nominated | |
| Arizona | All-time Original Score | Nominated | |
| Ascend, My Love | All-time Music, Score | Nominated | |
| 1942 | Hold Back the Dawn | All-time Scoring of a Dramatic Picture | Nominated |
| 1943 | Accept a Letter of the alphabet, Darling | All-time Scoring of a Dramatic or Comedy Picture | Nominated |
| Argent Queen | Best Scoring of a Dramatic or Comedy Moving picture | Nominated | |
| Flight Tigers | All-time Scoring of a Dramatic or Comedy Motion picture | Nominated | |
| 1944 | For Whom the Bell Tolls | Best Scoring of a Dramatic or Comedy Picture show | Nominated |
| 1946 | Love Messages | Best Original Vocal for "Love Letters" (shared with Edward Heyman) | Nominated |
| Love Letters | Best Scoring of a Dramatic or Comedy Picture | Nominated | |
| 1949 | The Emperor Flit | All-time Scoring of a Musical Motion picture | Nominated |
| 1950 | My Foolish Heart | Best Original Song for "My Foolish Heart" (shared with Ned Washington) | Nominated |
| 1951 | Samson and Delilah | Best Scoring of a Dramatic or Comedy Picture show | Nominated |
| 1957 | Around the Earth in eighty Days | All-time Scoring of a Dramatic or Comedy Picture | Won |
| Written on the Current of air | Best Original Song for "Written on the Wind" (shared with Sammy Cahn) | Nominated |
Gilded Globes [edit]
| Twelvemonth | Picture | Category | Result |
|---|---|---|---|
| 1952 | September Thing | All-time Original Score | Won |
| 1953 | The Tranquility Human being | Best Original Score | Nominated |
Primetime Emmy Awards [edit]
| Year | Project | Category | Effect |
|---|---|---|---|
| 1955 | Low-cal'due south Diamond Jubilee | All-time Scoring of a Dramatic or Variety Program | Won |
| Medic | Best Original Music Composed for TV | Nominated | |
| Light's Diamond Jubilee | Best Original Music Composed for Television set | Nominated |
References [edit]
- ^ a b "Document # 19553". Cook County Illinois Birth Certificates – via Familysearch.org. (registration required)
- ^ a b "Victor Young, Composer, Dies of Middle Attack", Oakland Tribune, Nov 12, 1956.
- ^ Slonimsky, Nicolas (1978). "Immature, Victor". Baker's Biographical Lexicon of Musicians (sixth ed.). New York: Schirmer Books. p. 1929. ISBN0028702409.
- ^ Adams, Greg (March 27, 2016). "When Was Victor Young Built-in?". The Music Weird. Open up Publishing. Retrieved May 26, 2019.
- ^ Lola Kinel, Under Five Eagles (1937), chapter 10.
- ^ a b Encyclopedia of Popular Music, quaternary edn (2006), ISBN 9780199726363
- ^ "1931 Isham Jones - Stardust". YouTube. Archived from the original on December 21, 2021. Retrieved October 19, 2021.
- ^ "Bing Crosby Victor Young Orchestra - Stardust (1931)". YouTube. Archived from the original on Dec 21, 2021. Retrieved October 19, 2021.
- ^ "Stardust ~ Bing Crosby (1939)". YouTube. Archived from the original on December 21, 2021. Retrieved October 19, 2021.
- ^ "Stardust (1942) - Bing Crosby". YouTube. Archived from the original on December 21, 2021. Retrieved October 19, 2021.
- ^ "Friday'south Highlights" (PDF). Radio and Tv Mirror. Vol. 14, no. 3. July 1940. p. 52. Retrieved March 6, 2015.
- ^ a b c d e f The Oxford Companion to the American Musical (2012), ISBN 9780199891474
- ^ Ellenberger, Allan (2001). Celebrities in Los Angeles Cemeteries: A Directory. McFarland. ISBN9780786450190.
- ^ "Brandeis Special Collections". Victor Immature Collection . Retrieved May 30, 2008.
External links [edit]
- Victor Young Collection of Television receiver Music. UCLA. Performing Arts Special Collections, findaid.oac.cdlib.org.
- Victor Young at IMDb
- Victor Immature at the Internet Broadway Database
- Victor Immature'southward Web, victoryoung.czechian.net
- Victor Young Collection at Brandeis University
- Victor Young recordings at the Discography of American Historical Recordings
Source: https://en.wikipedia.org/wiki/Victor_Young
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